Every texture is available in 8K, 16K and 32K. 8K suits wide and mid shots and keeps files light, 16K is the sweet spot for most close work, and 32K holds detail for macro shots where the surface fills the frame. You choose the resolution per texture, so you can match the file size to the shot instead of buying more detail than a scene needs.

The textures are optimised for PBR workflows, so they work in any render engine - Blender, 3ds Max, V-Ray, Corona, Unreal and more. You use them exactly as you would any colour map. Selected marble textures also have an optional ready-to-use V-Ray setup as a separate add-on (V-Ray 6 and above); it is a material configuration for a specific texture, and the base texture is bought separately.

Textures are delivered as 8-bit JPG colour maps by default, with 16-bit and 24-bit available on request. Because the scanned stone is polished and smooth, the surfaces carry no natural relief, so normal maps are not included - the detail lives in the high-resolution colour itself. That keeps the files simple to use across engines while still giving you the full grain and vein at up to 32K.

They are real photo scans. Each texture is captured from an actual natural stone slab, with no AI and no procedural generation. The veining, grain and colour are the real stone's, and because every scan is a one-of-a-kind slab the textures are not tileable - the reason the result looks like stone and not like a repeating synthetic pattern.

Each texture comes with two licence tiers, chosen at checkout and set by revenue rather than project type: a Personal licence for creators or teams under AUD $100k in revenue or funding over the last 12 months, and a Professional licence above that threshold. Commercial, archviz and client work is covered royalty-free under both.